Skip to main content



Still don't understand what the differences between the 3 timelines "latest posts", "latest creation" and "latest activity" in Friendica are. 😆
in reply to Charline

@Charline glad i could help! Friendica is powerful but it's far from the easiest to understand.



Since nerdica.net collapsed, I was searching for a new Friendica instance. I've finally found one.
in reply to Shiri Bailem

@Shiri Bailem Yeah. They messed something up with their backups while updating Friendica or something like that. They couldn't manage to restore everything and gave up, sadly. But I'm glad I've found your server! 😀
in reply to Charline

@Charline yeah, these databases get huge and it becomes a lot harder to restore. a month or two ago I lost a few days to a database crash, this morning's database backup was 4GB. It takes like half an hour to start the database if it's not a clean shutdown (and about as much time to cleanly shut down).

It's kinda a nightmare lol


in reply to mug

@mug what the ever loving... that's certainly some red flags ya got there.
@mug





Seriously, if you're not in the US it's important to recognize how catastrophically fucked everything is. Like I actively need to flee the country bad...

https://youtu.be/MXQ43yyJvgs?si=sTz4zyAeqyBM7xGG

#Fascism #WereFucked

in reply to Shiri Bailem

If you're going to flee, flee to me. I will make use of you, by pointing you to someone who knows what to do.
in reply to Shiri Bailem

Yeah. Like, if you feel so powerless or hopeless that your impulse is to flee, why not take a chance at redirecting that energy. Point it toward a problem that needs doing.

You can do whatever you want. That's what it means to be free. You can be whoever you want to be, that's the meaning of liberty. If you don't have any ideas, come to me and I'll lend you a hand.

in reply to meta-meli-mena

@Ritz-Menardi ... yeah, I'm talking about imminent threat of the loss of freedom for existing.

I'm disabled, I can't do shit, communication and education is all I can offer and I'm doing all I can there.

I'm dependent on others even for my ability to flee...

This is like Germany just before the Holocaust, telling Jews (of which I am also) to fight isn't a great idea at that time.

in reply to Shiri Bailem

Disability makes everything more difficult. I get it.

Communication and education are important.

You should do what your heart tells you to do.

in reply to Shiri Bailem

I'd like to add that "all you can do" is more than enough. Be kind to yourself, you are both important and valuable.
in reply to meta-meli-mena

@Ritz-Menardi and to be clear, it's not an impulse to flee... it's complete terror because I see the writing on the wall for Hitler 2.0 and it's going to get really really bad before it gets better and if I stick around I'm very unlikely to survive.

Pikuach nefesh, my first duty is to stay alive.

in reply to Shiri Bailem

I know. Keep in mind, though, that the propagandic writing-on-the-wall cuts both ways. There are many more of us, than of them.

your first duty is to stay alive. plus, what you can do, you can do from anywhere, so long as the internet remains true. alas, has it ever been? but still it's up to you, what to do. no matter where you are, you'll find friends who will need your heart, your words, your kindness, and whatever other aid you may give.

I'm trans and relatively healthy and strong. in my legs at least. so my choice is a bit different than yours, mine becomes "die now, that others might live or die later, that others might die before me" and frankly that's not a choice at all.

Unknown parent

Shiri Bailem
@Harbinger of Salem I hate to say it but I wouldn't complain if he abused it to take care of his current political opponent...





Emulating Space Camp for the Wii. Garbage game I played as a kid but i gotta finish it now to cross it off my bucket list!


llama3, ai, cringe


H-hi, p-people! giggle I-I'm J-Joe Biden, squee and I'm s-so excited to be speaking with you all t-today! bounces up and down
O-oh my goodness, I just can't w-wait to share m-my thoughts on... pauses for comedic effect ...the importance of c-cuddling kittens! giggles uncontrollably I mean, it's just s-so vital for our m-mental health and w-well-being, d-don't you think? bats eyelashes
I-I know what you're thinking... "J-Joe, why are you talking about k-kittens?" pouts W-well, let me t-tell you... it's all about the j-joy and l-love that they bring to our lives! winks You see, c-cuddling kittens is like, the b-best way to s-soothe your soul and f-feel like everything is g-gonna be okay! squeals
A-and don't even get me started on the i-importance of w-wearing matching outfits with your p-pet! giggles O-oh my goodness, it's like, the m-more you coordinate, the b-better it looks! fans self
S-so, w-what do you think? Should we make c-cuddling kittens and w-wearing matching outfits a n-national pastime? bounces up and down again



I'm in shock...

An anime I'm watching has a love triangle and then actually had someone say "have you considered polyamory?" (paraphrased)

#Polyamory #SomeoneGetsIt #MushokuTensei





Oh shit... first period.

That's what they mean by emotional!



ćŠç±»ćłçżŒă€ćŠç±»liteă€ćŠç±»ć·ŠçżŒäž­çš„â€œćŠç±»â€æ˜Żä»€äčˆïŒŸć…łäșŽäœœäžșæ”żæČ»èƒœæŒ‡çš„â€œćŠç±»â€


ćŽŸæ–‡ïŒšhttps://journals.sagepub.com/doi/full/10.1177/00323217221150871
æœŹæ–‡çš„çż»èŻ‘æ˜ŻçŹ”èź°ćŒçż»èŻ‘ïŒˆæŠ‚èż°ćŽŸæ–‡ïŒŒäœ†äžćŒ…ć«èŻ‘è€…è§‚ç‚čćč¶äžćźŒæ•Ž

What Was the ‘Alt’ in Alt-Right, Alt-Lite, and Alt-Left? On ‘Alt’ as a Political Modifier
ćŠç±»ćłçżŒă€ćŠç±»liteă€ćŠç±»ć·ŠçżŒäž­çš„â€œćŠç±»â€æ˜Żä»€äčˆïŒŸć…łäșŽäœœäžșæ”żæČ»èƒœæŒ‡çš„â€œćŠç±»â€

â€œćŠç±»â€äżźé„°èŻ­æœ€ć„œèą«ç†è§Łäžșæ˜Żć…łäșŽæ”żæČ»èŻ„æ€Žæ ·èż›èĄŒçš„ćć„œçš„èƒœæŒ‡ă€‚â€œćŠç±»â€äž»èŠèą«ç”šæ„æ ‡ç€șć…¶äžŽäž»æ”ćœšé”ćźˆæ”żæČ»èĄŒäžș规范æ–čéąçš„ć†łèŁ‚ïŒšäčŸć°±æ˜Żæ‹’绝“瀌èČŒâ€ïŒŒæ‹„æŠ±äž‹æ”ă€ć°–é”çš„â€œćčœé»˜â€ïŒŒćŻčæ”żæČ»ćŻč手采甚ćŻčæŠ—çš„ă€ç»ćžžæ˜Żæ•…æ„ć†’çŠŻçš„æ–čćŒă€‚

ćœšâ€œćŠç±»ćłçżŒâ€äž€èŻèą«è°ćˆ›é€ ă€äœ•æ—¶ć‡șçŽ°çš„é—źéą˜äžŠć­˜ćœšç€ćˆ†æ­§ă€‚äž€äș›èź°èż°ć°†ć…¶èżœæșŻćˆ°2008ćčŽ11æœˆïŒŒæ—§äżćźˆæŽŸäșș物Paul GottfriedćœšæžćłçżŒH.L. Mencken Clubć‘ćžƒçš„æŒ”èźČïŒŒă€ŠćŠç±»ćłçżŒçš„èĄ°ćŒ±äžŽćŽ›è”·ă€‹ă€‚ć…¶ćźƒæèż°ćˆ™èź€äžșæ˜ŻRichard Spencer戛造äș†èż™äžȘæœŻèŻ­ïŒŒSpenceræœŹäșșäčŸèź€äžșćŠ‚æ­€ă€‚2010ćčŽæ—¶Spencerç”šèż™äžȘæœŻèŻ­äœœäžșçœ‘ç«™çš„ćŸŸćïŒŒćœ“æ—¶èż™äžȘçœ‘ç«™ćœšèŻ­æ°”äžŠèż˜ćć„œäž„è‚ƒă€ç†æ™șäž»äč‰ă€ć—äșșć°Šæ•Źçš„ćœąè±Ąă€‚ćŽæ„ä»–èĄšç€șć«Œèż™äžȘèŻæ¶ˆæžäž”ç›žćŻčäž»äč‰ïŒŒè€Œäž”äžæƒłæŠŠè‡Șć·±çš„äž»æ„æ čćŸșäșŽäŒ ç»Ÿć·Šćłćˆ’ćˆ†ă€‚

ć°œçźĄSpenceræ”ŸćŒƒäș†èż™äžȘæœŻèŻ­ïŒŒæŽ„äž‹æ„èż™äžȘèŻç»§ç»­ć¶ć°”ć‡ș现朹Reddit、4Chan等朰æ–č。朹2015ćčŽïŒŒćźƒć‡șäșșæ„æ–™ćœ°ćœšç€ŸćȘ’äžŠçˆ†ć‘ă€‚èż™ć’Œæ—©æœŸçš„â€œćŠç±»ćłçżŒâ€äč‹é—Žć­˜ćœšç€æ žćżƒćŒșćˆ«ïŒŒæ—©æœŸçš„æ žćżƒæ˜ŻSpencerïŒŒćŽæœŸâ€œćŠç±»ćłçżŒâ€çš„æ žćżƒćˆ™æ˜Żć„ç§çœ‘ç»œćäșș而䞔æČĄæœ‰æŠ«äžŠäœ“éąă€ç†æ™șäž»äč‰çš„ć€–èĄŁïŒŒæ‹„æŠ±çœ‘ç»œć·šé­”æ–‡ćŒ–çš„èźœćˆșă€æŒ–è‹Šă€ć •èœćčœé»˜æ„ŸïŒŒäžćƒæ—©æœŸçš„â€œćŠç±»ćłçżŒâ€äž€æ ·ćœšäŒȘçŸ„èŻ†ćˆ†ć­çœ‘ç«™äžŠć‘ćžƒć†—é•żäž„è‚ƒçš„æ–‡ç« ïŒŒè€Œæ˜Żé€šèż‡â€œæ”żæČ»æ­ŁçĄźâ€ć’Œæ•…æ„ć†’çŠŻæšĄć› æ„äș€æ”ă€‚ćŠç±»ćłçżŒçš„éĄ¶ćł°æ˜Żć·æ™źç«žé€‰æ—¶æœŸă€‚

Alt-lite或Alt-lightïŒ‰ćˆ™æ˜ŻćŠç±»ćłçżŒç”šæ„èŽŹäč‰ćœ°æèż°é‚Łäș›ćŒæƒ…ïŒŒæˆ–è€…äžŽćŠç±»ćłçżŒæœ‰è”çł»ïŒŒäœ†äžèĄšæ˜Žæ°‘æ—äž»äč‰æˆ–揍çŠč观ç‚č的äșșă€‚ä»–ä»Źćœšä»‡æšć„łæ€§äž»äč‰è€…ă€ç§»æ°‘ç­‰æ–čéąäžŽćŠç±»ćłçżŒäž€è‡Žă€‚ä»–ä»ŹäŒšäœżç”šâ€œèš€èźșè‡Șç”±â€ă€â€œæ”żæČ»æ­ŁçĄźâ€ç­‰æ–čćŒïŒŒćŁ°ç§°è‡Ș深的æ‰čèŻ„è€…èż‡ćșŠæ•æ„Ÿă€äžæ‡‚ćčœé»˜ïŒŒä»–ä»Źæœ‰æ›Žćčżæł›çš„ćȘ’äœ“ćœ±ć“ćŠ›äžŽæ›Žć€æ‚çš„ç­–ç•„ă€‚ćźƒé€šćžžäžæ˜Żäž€äžȘç‹Źç«‹çš„èżćŠšïŒŒè€Œæ˜ŻćœšćŠç±»ćłçżŒçš„æ——äž‹ă€‚

ćŠç±»ć·ŠçżŒćˆ™æ˜ŻäžȘç”šæ„æ”»ć‡»çš„æœŻèŻ­ïŒŒèŻ•ć›Ÿé€šèż‡ćŁ°ç§°ć·ŠçżŒäž­äčŸæœ‰ćŒæ ·çłŸçł•çš„ă€æžç«Żäž»äč‰çš„çŸ€äœ“æ„æ”»ć‡»ć·ŠçżŒă€‚ćźƒç”±ç‰čæœ—æ™źçš„éšćŁäž€èŻŽć’ŒéšćŽć‡ ć€©æžćłçżŒçœ‘ç«™çš„äž“æ ćŒ€ć§‹ă€‚æœ€ćŒ€ć§‹ćȘæ˜Żäž€ç§æšĄçłŠçš„ă€ć“Șé‡ŒéƒœćŻä»„ç”šçš„æ”»ć‡»ïŒŒćŽæ„é‡‡ç”šäș†äž€ç§æ”żæȻ驏èč„理èźșçš„çŽ°ä»Łç‰ˆæœŹïŒŒć†ćŽæ„ç”šæ„æŒ‡äž€äș›ćŒæ ·ć…·æœ‰èźœćˆșèŻ­æ°”ă€éą‘çčäœżç”šæšĄć› ă€ććŻč任䜕䞍仄阶çș§äžș侭濃的“èș«ä»œæ”żæČ»â€çš„ć·ŠçżŒçœ‘ç»œćȘ’äœ“ă€‚ćŸșæœŹæČĄæœ‰äșșç”šèż™äžȘæ ‡ç­Ÿæ„æèż°è‡Șć·±ïŒŒć‡ äčŽæ˜Żç”šæ„æ”»ć‡»äž€äžȘäžć­˜ćœšçš„èżćŠšă€‚ćŽæ„äŒŒäčŽć‡ äčŽæȥ什äčˆäșșäœżç”šäș†ă€‚

ćŻčäșŽliberalsć’Œäž­é—ŽæŽŸæ„èŻŽïŒŒćŠç±»ćłçżŒć’ŒćŠç±»ć·ŠçżŒæ‰€è•Žć«çš„é“ćŸ·ç­‰ä»·äœżä»–ä»Źèƒœć€ŸæŠŠè‡Șć·±ćŒ…èŁ…äžșèż›æ­„æ”żæČ»ä»·ć€ŒçœŸæ­Łçš„ç«ç‚Źæ‰‹ïŒŒäžć•ć•èƒœćŻčæŠ—ćŠç±»ćłçżŒïŒŒèż˜èƒœćŻčæŠ—ćŠç±»ć·ŠçżŒæ‰€è°“çš„æ€§ćˆ«æ­§è§†ă€ç§æ—äž»äč‰ă€ćčŽéŸ„æ­§è§†ć’Œćœšèș«ä»œæ”żæČ»äžŠçš„èŁ…è‹äœœć“‘ă€‚ćŠć€–ïŒŒèż™ç§äž€èŸčæ˜ŻćŠç±»ć·ŠçżŒïŒŒäž€èŸčæ˜ŻćŠç±»ćłçżŒçš„äșŒćˆ†æĄ†æž¶äœżćŸ—liberalsć’Œäž­é—ŽæŽŸèƒœć€ŸćŁ°ç§°ïŒš

ä»–ä»Źèą«ć€čćœšäž€ç§éšç§˜ćœ°æœ‰èźžć€šć…±ćŒç‚č的狂热戆歐äč‹é—Žă€‚èż™ć°†ä»–ä»Źçš„è‡Ș由䞻äč‰ïŒŒćŻèƒœèż˜ćŒ…æ‹Źäž€äș›â€œæž©ć’Œçš„ć…±ć’Œć…šäșșâ€ïŒŒçš„ç‹Źç‰čć“ç‰ŒïŒŒæ‰“é€ äžșć”Żäž€ćˆç†çš„ç«‹ćœșïŒŒè€Œäž”æ˜Żèą«ćŠç±»ä»Źć›Žæ”»çš„é‚Łç§ă€‚

liberalsć’Œäž­é—ŽæŽŸć› æ­€èƒœć€Ÿć°†è‡Șć·±æç»˜äžșæ”żæČ»æˆżé—Žé‡Œć”Żäž€çš„æ˜Žæ™ș成ćčŽäșș。



é…·ć„ż Heather Love


é…·ć„żćœšè·šæ€§ćˆ«ç ”ç©¶äž­çš„äœçœźćœšć“Șé‡ŒïŒŸé…·ć„żç ”ç©¶ć’Œè·šæ€§ćˆ«ç ”ç©¶çš„éą†ćŸŸç»ç”±ć…±äș«çš„掆ćČ、æ–čæł•äžŽćŻčæ”čć˜æ€§ćˆ«ć’Œæ€§çš„ć±€ć€–äșșçš„ć€„ćąƒçš„æ‰żèŻșèżžæŽ„ă€‚ é…·ć„żäž»èŠäžŽéžè§„èŒƒæŹČæœ›ć’Œæ€§ćźžè·”ç›žć…łè”ïŒŒè·šæ€§ćˆ«ćˆ™äž»èŠäžŽéžè§„èŒƒæ€§ćˆ«èź€ćŒć’Œć…·èș«ćŒ–ç›žć…łè”ïŒŒä»Žç†èźșäžŠć’Œćźžè·”äžŠéƒœéšŸä»„ćœšćźƒä»Źäč‹é—Žćˆ’ć‡șäž€æĄæž…æ™°çš„ç•Œé™ă€‚ äžŽç”·ćŒæ€§æ‹äžŽć„łćŒæ€§æ‹ç ”ç©¶ă€æ€§ç ”ç©¶éƒœäžćŒïŒŒé…·ć„żç ”ç©¶ć°†è‡Ș深柚äč‰äžș侀äžȘ莚疑èș«ä»œçš„çšłćźšç±»ćˆ«çš„æ‰čćˆ€æ€§éą†ćŸŸă€‚è·šæ€§ćˆ«ç ”ç©¶äčŸć°†è‡Șèș«ćźšäč‰äžș揍ćŻčèș«ä»œçš„ćŻč䞀äžȘæ€§ćˆ«çł»ç»Ÿèą«èź€äžșć…·æœ‰çš„çšłćźšæ€§æć‡șäș†æŒ‘æˆ˜ă€‚ èż™äș›éą†ćŸŸèƒœćŠă€ćˆæ˜Żćœšæ€Žæ ·çš„äžŠäž‹æ–‡é‡ŒïŒŒćŻä»„èą«è§†äžșæˆȘç„¶äžćŒçš„ïŒŒèż™æ˜Żäž€äžȘæœȘćźŒçš„é—źéą˜ïŒ›ç„¶è€ŒïŒŒé…·ć„żć’Œè·šæ€§ćˆ«ćœšćźƒä»Źçš„èĄŒćŠšäž»äč‰æ‰żèŻșă€ćźƒä»Źçš„ćŒ‚èźźæ–čæł•èźșć’Œćźƒä»ŹćŻčæ€§ćˆ«ć’Œæ€§ćžžè§„çš„æ‰čćˆ€æ€§èŽšèŻąć’ŒæŠ”æŠ—äž­æœ‰ç€èżžæŽ„ă€‚

ä»Žäž€ćŒ€ć§‹ïŒŒćŻč搄è‡Șćˆ†çŠ»çš„èș«ä»œç±»ćˆ«çš„æŒ‘æˆ˜ć°±æ˜Żé…·ć„żć’Œè·šæ€§ćˆ«ç ”ç©¶çš„ć·„äœœçš„æ žćżƒă€‚ćœš1980ćčŽä»Łæ™šæœŸć’Œ1990ćčŽä»Łæ—©æœŸïŒŒé…·ć„żä»„侀äžȘèĄŒćŠšäž»äč‰ćŁć·çš„ćœąćŒæ”źçŽ°ïŒŒćŠ›ć›Ÿćœšè‰Ÿæ»‹ç—…ć±æœșéąć‰æŠ“äœæ€§ć’Œæ€§ćˆ«è‡Ș由斗äș‰çš„æż€èż›èƒœé‡ă€‚ é€šèż‡ć°†æćŒèŻœè°€é‡æ–°ćˆ©ç”šäžș侀äžȘèżćŠšă€ä»„ćŠäžäč…äč‹ćŽçš„䞀äžȘç ”ç©¶éą†ćŸŸçš„ćć­—ïŒŒé…·ć„żèĄŒćŠšè€…ć’Œć­Šè€…æŒ‡æ˜Žäș†æšŽćŠ›ć’Œæ±Ąććœšæ€§ćˆ«ć’Œæ€§ć±€ć€–äșșçš„ç»ćŽ†äž­çš„é‡èŠæ„äč‰ă€‚ é…·ć„żïŒŒä»„ćŠćźƒć„‡æ€Șă€ć€æ€Ș、什äșșèŽčè§Łçš„é…ä»·ïŒŒäčŸæ„ćœšèĄšç€șè¶…è¶Šç”·ćŒæ€§æ‹ć’Œć„łćŒæ€§æ‹çš„éžè§„èŒƒæ€§ćźžè·”ć’Œæ€§ćˆ«èź€ćŒă€‚é…·ć„żäżƒèż›äș†èŸčçŒ˜ćŒ–ć’Œèą«æŽ’é™€çš„çŸ€äœ“äč‹é—Žçš„è”ç›ŸæšĄćŒïŒŒćč¶äž”ćœšć…¶æœ€ćčżé˜”çš„çš‹ćșŠèą«æƒłè±Ąäžș揍ćŻčâ€œè§„èŒƒæ€§ćˆ¶ćșŠâ€çš„ć·è§’ïŒˆWarner 1993: xxviïŒ‰ïŒŒć‡†ć€‡èŠè§Łć†łçš„æ˜Żâ€œèŻ­èš€ă€çšźè‚€ă€ç§»æ°‘ć’Œć›œćź¶çąŽćœąçš„é”™ç»Œć€æ‚æ€§â€ (Sedgwick 1993: 9)。

è·šæ€§ćˆ«äčŸæ˜Żćœšè‡ŽćŠ›äșŽæŒ‘战èș«ä»œçš„è§„ćˆ™çš„èĄŒćŠšäž»äč‰äžŠäž‹æ–‡äž­æ”źçŽ°çš„æœŻèŻ­ă€‚ćŠ‚æžœćŻä»„ć°†é…·ć„żç†è§ŁäžșćŻčç”·ćŒæ€§æ‹ă€ć„łćŒæ€§æ‹çš„ç±»ćˆ«æ‰€æš—ç€șçš„æ€§ćˆ«ć’Œæ€§çš„çšłćźšćŒ–çš„æ‹’ç»ïŒŒä»„ćŠé€šćŸ€æ›Žćźœé˜”çš„æ€§éžćžžè§„æ€§ć…‰è°±çš„ćŒ€ćŁïŒŒé‚Łäčˆè·šæ€§ćˆ«ćˆ™æ˜Żæ•æ‰äș†äžèƒœèą«äŒ ç»ŸäșŒć…ƒæèż°çš„æ€§ćˆ«ć…·èș«ćŒ–ă€ćźžè·”ć’Œç€ŸçŸ€ćœąæ€çš„æœŻèŻ­ă€‚ ć°œçźĄèż™äžȘæœŻèŻ­çš„çĄźćˆ‡æ čæșć­˜ćœšäș‰èźźïŒŒćźƒäœœäžș侀äžȘ拒绝ćŻčæ€§ćˆ«çš„è§„èŒƒćŒ–ć’ŒćŒ»é™ąè§‚ç‚čçš„èĄŒćŠšäž»äč‰çš„ă€ć­ŠæœŻçš„ă€æ°‘é—Žçš„æœŻèŻ­ïŒŒćœšèż‡ćŽ»æ•°ććčŽé—Žæ‰Žçšłäș†æ čïŒŒè”žćŒæ›Žćźœé˜”ă€æ›ŽæŽ»ćŠšçš„è§Łé‡Šă€‚ ćœšă€Šè·šæ€§ćˆ«ćŽ†ćČă€‹äž­ïŒŒSusan Stryker (2008: 1) ć°†è·šæ€§ćˆ«çš„æŠ‚ćż”ćźšäč‰äžșâ€œä»ŽćŒ€ć€Žè”·ć°±æ— æ„é—Žè·šè¶Šäș†ç€ŸäŒšæ–œćŠ çš„ç•Œé™çš„èżćŠšâ€ïŒŒèż™äžȘ漚äč‰æ•æ‰ćˆ°äș†èż™äžȘæœŻèŻ­ć…łé”źçš„ćŠ›é‡ć’ŒćŒčæ€§ă€‚è·šæ€§ćˆ«ćœšäœœäžș侀äžȘäŒžæœŻèŻ­ïŒŒèƒœć€Ÿć”€ć‡șćŻä»„ćŒ…æ‹Źè·šæ€§è€…ă€ćŒ‚èŁ…è€…ă€T撌Pçš„ć…‰è°±çš„ćŒæ—¶ïŒŒćźƒäčŸèĄšç€șäș†ćŻčć…‰è°±æšĄćž‹æ‰€æš—ç€șçš„ćˆ†ç±»ć­ŠæĄ†æž¶ćæŠ—ïŒˆć°±çź—ćźƒâ€œè¶…è¶Šâ€äș†ćźƒïŒ‰ă€‚èż™æ ·çš„é‡èŠć†Č抹——ćŻčæ‰€æœ‰ç§ç±»çš„æ€§ć’Œæ€§ćˆ«èș«ä»œçš„æ‹’ç»â€”â€”ćŻä»„èą«ć«äœœæ€§ćˆ«é…·ć„żïŒŒäž€äžȘ暗ç€șäș†è·šæ€§ćˆ«ć’Œé…·ć„żäč‹é—Žçš„äșČćŻ†ć…łçł»çš„æœŻèŻ­ă€‚

é…·ć„żć’Œè·šæ€§ćˆ«ç ”ç©¶äžä»…ćœšćźƒä»Źć…±äș«çš„ćŻčæ€§ć’Œæ€§ćˆ«è§„èŒƒçš„æ‰čèŻ„æ–čéąç›žèżžæŽ„ïŒŒäčŸćœšćźƒä»ŹćŻčè§„èź­ć’Œæ–čæł•èźșè§„èŒƒçš„ćæŠ—æ–čéąç›žèżžæŽ„ă€‚ç±łæ­‡ć°”çŠæŸŻçš„ćè§„èź­æ€æƒłćŻčèż™äž€äžȘéą†ćŸŸçš„ć‘ć±•éƒœè‡łć…łé‡èŠă€‚çŠæŸŻïŒˆ1978ćŻčæ€§çš„çŽ°ä»Łćˆ¶ćșŠçš„è§„èź­ćŠ›é‡çš„æèż°ćœ±ć“äș†è·šæ€§ćˆ«ć’Œé…·ć„żç ”ç©¶çš„ćè§„èŒƒă€ćèș«ä»œæ”żæȻ。 ćŠć€–ïŒŒçŠæŸŻçš„ćŻč掆ćČçš„çł»è°±ć­Šæ–čæł•äœżćŸ—ä»–èƒœć€Ÿæ€è€ƒćœšçŽ°ä»Łèș«ä»œç±»ćˆ«äč‹ć€–çš„æ€§ćˆ«ć’Œæ€§â€”â€”äŸ‹ćŠ‚ïŒŒćœšć€æ‚çš„ćäčäž–çșȘäșș物Herculine Barbin (Barbin and Foucault 1980)的故äș‹äž­ă€‚ èż™æ ·çš„äžçšłćźšçš„ă€ä»€äșșäžçĄźćźšçš„ć…·èș«ćŒ–ă€ćźžè·”ć’Œèź€ćŒçš„äŸ‹ć­ïŒŒäžä»…ćšèƒäș†æ€§ć’Œæ€§ćˆ«èș«ä»œçš„搄è‡Șćˆ†çŠ»çš„ç±»ćˆ«ïŒŒäčŸćšèƒäș†æ€§ćˆ«ć’Œæ€§äč‹é—Žçš„ćŒșćˆ«æœŹèș«ă€‚æœ€ćŽïŒŒçŠæŸŻćŻčçŸ„èŻ†éąć…·ćŒ–äžșç§‘ć­Šćźąè§‚æ€§çš„æ„ćż—çš„æ‰čèŻ„ćŻčé…·ć„żć’Œè·šæ€§ćˆ«ç ”ç©¶çš„æ–čæł•èźșéƒœè‡łć…łé‡èŠă€‚ 由äșŽé‚Łäș›æœ‰ç€éžæ ‡ć‡†ć…·èș«ćŒ–ć’Œæ€§ćźžè·”的äșșäžæˆæŻ”äŸ‹ćœ°ćźčæ˜“ć—ćˆ°äžŽćșŠć‡è§†ïŒŒçŠæŸŻïŒˆ2003ćŻčäșșç±»ç§‘ć­Šæ‰€äœœçš„æ‰čćˆ€ćŽ†ćČäœżćŸ—äž€äžȘç ”ç©¶éą†ćŸŸéƒœć°†é…·ć„żć’Œè·šć„żè§†äžșäž»äœ“è€ŒéžçŸ„èŻ†ćźąäœ“ă€‚èż™æ ·çš„ćšæŒæŒ‡ć‘ćźƒä»ŹćŻčçŸ„èŻ†çš„æ”żæȻ、ćŻčćŸșäșŽæ€è€ƒć’Œæ–°æ‰čćˆ€æĄ†æž¶çš„æ–°æ–čæł•çš„ćœšäž–ç•Œäž­ć­˜æœ‰çš„æ–°æ–čæł•çš„æ€æƒłçš„ć…±ćŒæ‰żèŻș。

陀äș†ćŽ†ćČ的、æ–čæł•èźșçš„ă€æ”żæČ»çš„é‡ć ïŒŒé…·ć„żć’Œè·šæ€§ćˆ«ç ”ç©¶äžæ€»æ˜ŻćŒé“çš„ïŒŒè€Œäž”éšç€èż™äș›éą†ćŸŸćčŽçșȘæžé•żïŒŒäčŸäžæž…愚䜕种皋ćșŠäžŠćźƒä»Źćș”èŻ„搌道。 é…·ć„żçš„ćidentitariană€ććžžè§„ćŒ–ć’Œè”ç›Ÿçš„æ–čéąïŒŒćœšé˜æ˜Žć’ŒæŽšćŠšè·šæ€§ćˆ«ć­ŠæœŻć’Œæ”żæČ»äž­æ˜Ÿç„¶æœ‰ç”šïŒ›ćźžé™…äžŠèż™äž€ć…±é€šçš„ćŻčè·šè¶Šć­Šç§‘ć’Œèș«ä»œç•Œé™çš„æ‰żèŻșäŒšäœżäșșéšŸä»„ćœšé…·ć„żç ”ç©¶ć’Œè·šæ€§ćˆ«ç ”ç©¶äč‹é—Žćˆ’ć‡șæž…æ™°çš„ç•Œé™ă€‚ ç„¶è€ŒïŒŒè™œç„¶ćœšćŻčé…·ć„żæœ€ćźœæł›çš„ç†è§Łäž­é…·ć„żèƒœæŒ‡ç€șćčżæł›çš„ć·źćŒ‚ć’Œç€ŸäŒšæŽ’é™€ïŒŒé…·ć„żèż˜ćžžćžžć› ćœšćźžè·”äž­èĄšæ„æ›Žäžș狭çȘ„è€Œć—ćˆ°æ‰čèŻ„ă€‚ćœšCathy J. Cohen慳äșŽé…·ć„żæ”żæČ»äž­çš„æŽ’é™€çš„é‡èŠć™èż°ïŒŒă€Šæœ‹ć…‹ă€Tć’ŒçŠćˆ©çš‡ćŽă€‹äž­ïŒŒć„čæŽ§èŻ‰é…·ć„żæ˜Żè™šć‡çš„æ™źéæŠ‚ćż”ïŒŒé…·ć„żćŁ°ç§°èŠć€„ç†æ‰€æœ‰èŸčçŒ˜äž»äœ“çš„ć€„ćąƒïŒŒäœ†äș‹ćźžäžŠć…łæłšçš„æ˜ŻćŒæ€§æ‹è€…çš„ć…łćˆ‡ă€‚ 朹侀äș›é…·ć„żć­Šè€…äž­ïŒŒæˆ‘ä»ŹäčŸèƒœçœ‹ćˆ°ç›žäŒŒçš„ćŻčé…·ć„żçš„æ‰čèŻ„ïŒŒèż™äș›é…·ć„żć­Šè€…提ć‡ș酷愿研究æČĄæœ‰ć……ćˆ†ć…łæłšè·šæ€§ćˆ«è€…çš„ç‰©èŽšæĄä»¶ïŒŒè€ŒćȘæ˜ŻæŠŠæ€§ćˆ«éžćžžè§„ç”šäœœé…·ć„żçš„æ ‡ćż—æˆ–ćŻ“èš€ă€‚

èż™æ ·çš„æœ‰ć…łé…·ć„żçš„çŠ¶ć†”ć’ŒćŒ…ćźčçš„çŽ§ćŒ ć…łçł»ïŒŒäžæ˜Żć­˜ćœšäșŽćœšçœŸç©șäč‹äž­çš„ïŒŒè€Œæ˜Żćœšä»€äșșćż§è™‘çš„ç‰©èŽšă€äž“äžšć’Œæœșćˆ¶èƒŒæ™Żäž­çš„ă€‚ć°œçźĄé…·ć„żç ”ç©¶æœ‰äž€äș›ć€ŒćŸ—æłšæ„çš„æˆćŠŸäč‹ć€„ïŒŒćźƒä»æ—§æ˜Żäž€ćœșçŒșäčäșșæ‰‹ć’Œè”„é‡‘çš„ć†’é™©ă€‚ ć°œçźĄćŠ‚æ­€ïŒŒèż™äžȘéą†ćŸŸç›žèŸƒè·šæ€§ćˆ«ç ”ç©¶èż˜æ˜Żæ›ŽćŒș抿äș›ïŒŒćŽè€…ćœšæ•™ć­Šäž­ćžžćžžæ˜Żé…·ć„żç ”ç©¶æˆ–æ€§ćˆ«ç ”ç©¶çš„é™„ćœ•ă€‚ć„łæ€§ć’Œæ€§ćˆ«ç ”ç©¶èŻŸçš‹ć’ŒLGBTç ”ç©¶èŻŸçš‹æ€Žæ ·æ‰èƒœæœ€ć„œćœ°æ”ŻæŒè·šæ€§ćˆ«ç ”ç©¶éą†ćŸŸäž­çš„æœșæž„ćˆ›ć§‹è€…ïŒŒæ˜ŻçŽ°ćœšçš„äž€äžȘçŽ§èŠé—źéą˜ă€‚ æŠŠè·šæ€§ćˆ«ææ–™ćŒ…æ‹Źèż›èŻŸçš‹äž­ïŒŒæ˜Żäž€æŠŠćŒćˆƒć‰‘ïŒŒć› äžșèż™ćœšäżƒèż›äș†ć­Šç”ŸćŻčèż™äžȘ鱆柟的äș†è§ŁïŒŒć›žćș”äș†æ•°é‡äžć°‘çš„ć­Šç”Ÿçš„éœ€æ±‚çš„ćŒæ—¶ïŒŒćŽćŻèƒœé˜»æ­ąäș†è·šæ€§ćˆ«ç ”究的æœșæž„ćŒ–èż‡çš‹äž­æœ€ć…łé”źçš„äž€æ­„ïŒšç»™äșˆèș«ćœšè·šæ€§ćˆ«ç ”ç©¶éą†ćŸŸäž­çš„ć­Šè€…ïŒŒä»„ćŠè·šæ€§ćˆ«èș«ä»œçš„ć­Šè€…ćœšć€§ć­Šé‡Œçš„ç»ˆèș«èŒäœă€‚

æ­€ć€–ïŒŒé™€äș†é…·ć„żć’Œè·šæ€§ćˆ«ç ”ç©¶çš„çŸ„èŻ†ćœąæˆäž­çš„é‡èŠé‡ć ïŒŒćźƒä»Źäč‹é—ŽćœšæŠ‚ćż”äžŠçš„ć„‘ćˆäčŸäžæ˜Żć€©èĄŁæ— çŒçš„。酷愿ć·Čç»èą«èŻćźžïŒŒćœšè§Łé‡Šć…·èș«ćŒ–æ—¶æŻ”è”·è·šæ€§ćˆ«ç ”ç©¶æ›Žäčç”šæ­Šäč‹ćœ°ă€‚ è·šæ€§ćˆ«ç ”ç©¶äžș物莚经éȘŒæäŸ›äș†è§Łé‡ŠïŒŒäžș䜍äșŽäž­ćżƒçš„ć…·èș«ćŒ–çš„æ–°ćœąćŒć’Œç»éȘŒïŒˆćœšèż™æ–čéąïŒŒæˆ‘ä»ŹäčŸèƒœçœ‹ćˆ°è·šæ€§ćˆ«ç ”ç©¶ć’Œæź‹éšœç ”ç©¶äč‹é—Žçš„é‡èŠèżžæŽ„腟ć‡șäș†ç©ș问。 é…·ć„żäžŽćŽç»“æž„äž»äč‰çš„çŸ„èŻ†ćœąæˆçŽ§ćŻ†ç›žèżžïŒŒç‰čćˆ«æ˜Żćœšćźƒćœšæ–‡ć­Šç†èźș撌çČŸç„žćˆ†æžçš„ć‘ć±•æ–čéąă€‚è·šæ€§ćˆ«ç ”ç©¶çš„éą†ćŸŸćŒæ ·ć—èż™äž€æĄ†æž¶ć·„äœœćœ±ć“â€”â€”ç‰čćˆ«æ˜ŻćœšäŸ‹ćŠ‚Sandy Stone的《The Empire Strikes Back》(1991)ç­‰ç»ć…žæ–‡æœŹäž­â€”â€”äœ†è·šæ€§ćˆ«ç ”ç©¶ć€Ÿć‘äșŽćœšæ–čæł•èźșäžŠæ›ŽćŒ…ćźčć€šæ ·ă€‚ é…·ć„żç ”ç©¶ç»§ç»­æŠ”æŠ—ç€ŸäŒšç§‘ć­Šæ–čæł•èźșïŒŒćć„œè·šć­Šç§‘æˆ–æ–‡ćŒ–ç ”ç©¶çš„æ›Žäșș文䞻äč‰çš„ç‰ˆæœŹïŒŒè€Œè·šć„żç ”ç©¶ćˆ™ć’Œæł•ćŸ‹ç ”ç©¶ă€è·šć›œćˆ†æžă€ćŒ»ć­ŠćŽ†ćČ、ć»șç­‘ć’ŒèźŸèźĄă€æ°‘æ—ćż—ć’Œæ”żæČ»ç»æ”Žæœ‰ç€æ›ŽçŽ§ćŻ†çš„è”çł»ă€‚

é…·ć„żæœ€ć„œæ˜Żèą«ç†è§Łäžș侀äžȘäžŽèą«æ ‡èź°äžșæ€§ćˆ«ć’Œæ€§è¶Šèœšè€…çš„ç€ŸçŸ€æœ‰ç€ćŽ†ćČèżžæŽ„çš„ćźžèŽšæ€§æœŻèŻ­ïŒŒèż˜æ˜Żäž€äžȘæèż°ćźœæł›çš„éžćžžè§„ă€æ”żæČ»æ‰čèŻ„ć’ŒćŻčèș«ä»œçš„æŠ”æŠ—çš„æ›ŽæŠœè±Ąç†èźșçš„æœŻèŻ­ïŒŒç­”æĄˆèż˜äžæž…æ„šă€‚ ç›žäŒŒçš„æšĄæŁ±äž€ćŻæ ‡èź°äș†è·šæ€§ćˆ«ïŒŒè·šæ€§ćˆ«ćŻä»„æŒ‡ć‘ć…·èș«ćŒ–或瀟矀的ç‰čćźšæšĄćŒïŒŒäœ†äčŸćŻä»„èą«ç†è§ŁäžșæŒ‡ć‘äș€é”™çš„、掻è‡Șç„¶ćŒ–çš„èș«ä»œç±»ćˆ«çš„理èźșæœŻèŻ­ă€‚ é…·ć„żć’Œè·šæ€§ćˆ«éƒœäș§ç”Ÿäș†ć…łé”źçš„ćŒșć€§æ‰°ćŠšïŒŒäœ†çŽ°ćœšæˆ–èźžéœ€èŠé€šèż‡æ„èŻ†ćˆ°èș«ä»œæŒç»­çš„ćŠ›é‡æ„ćčłèĄĄćźƒä»Źă€‚ćœšèŻæșć­ŠäžŠïŒŒè·šć„żć’Œé…·ć„żéƒœæŒ‡ć‘è·šè¶ŠïŒŒćœšèż™äž€æ„äč‰ćŠ›äž€äžȘæœŻèŻ­éƒœćŒæ ·èƒœćŒ•ć‡șæœșćŠšæ€§äžŽć±€é™æ€§ă€‚ 鉮äșŽè¶Šæ„è¶Šć€šçš„æ€§ćˆ«ćžžè§„çš„ă€ç»æ”ŽäžŠć’Œç§æ—äžŠć äŒ˜ćŠżçš„ă€æœ‰é…ć¶çš„ć€§éƒœäŒšćŒæ€§æ‹è€…èż›ć…„äș†äž»æ”ïŒŒèż™äș›éą†ćŸŸçŽ°ćœšæˆ–èźžéœ€èŠć°†ć…łæłšèœŹç§»ćˆ°ćœšæŹČæœ›ă€æŠ±èŽŸæˆ–äșș生æœșé‡äž­èą«ç”»ć‰ïŒˆcrossïŒ‰æˆ–é­é‡æŒ«æŠ˜ïŒŒèż™æ ·æ„äč‰äžŠçš„跚越crossïŒ‰ă€‚ 瀟䌚阶çș§ă€ç§æ—ă€ćœ°ćŸŸă€èƒœćŠ›ć’Œæ€§ćˆ«èĄšçŽ°ïŒŒćœšć†łćźšæƒćˆ©ă€è”„æșçš„èŽ·ć–ć’Œć…äșŽæšŽćŠ›çš„è‡Șç”±äž­æ‰źæŒ”è‡łć…łé‡èŠçš„è§’è‰ČïŒ›è·šæ€§ćˆ«è€…ïŒŒè·šæ€§è€…ïŒŒèż˜æœ‰æ€§ćˆ«é…·ć„żïŒŒäžæˆæŻ”äŸ‹ćœ°é­ć—ç€Amber Hollibaugh撌CherrĂ­e Moraga朹1981ćčŽă€Šé…·ć„żæ”»ć‡»ă€‹äž­æ‰€ć†™çš„äș‹æƒ…ă€‚é…·ć„żćœšäžșæ€§ćˆ«ć’Œæ€§è‡Ș由斗äș‰çš„èŻ­ćąƒäž­çš„æ”żæČ»ćŠ›é‡ïŒŒćŠ‚æžœæœ‰ïŒŒć°±æ˜Żæ„è‡ȘäșŽć…¶äŒ èŸŸæ­Łćœšèż›èĄŒçš„æ±Ąćă€æšŽćŠ›ć’ŒæŽ’é™€çš„çŽ°ćźžçš„èƒœćŠ›ă€‚



Content warning: might annoy some (polish) entities, song lyr



Au(dhd?) whinge


Why does my dumb ass keep bouncing around these platforms instead of just using them consistently? new posts should be novelty enough to let the dopamine flow why


psa wanting my account to be discoverable to the public isn't consent to have all my shit scraped and sold for profit


Put John Scalzi's Starter Villain on hold in Libby. I'm surprised my library even had copies tbh

#books

Books & Literature Feed reshared this.



The funny part is that the (not actually a) crossposter I'm using for Fedi/ATProto stuff is that it natively has quote posts. Friendica has had quoteposts forever, I suspect other AP software has had quoteposts forever, yet Mastodon refuses to implement them.

#meta #quoteposts #fedimeta #atprometa

reshared this


in reply to Shiri Bailem

@Shiri Bailem
Im ok with UI, actually I kinda like its minilalist feel, I guess some people might expect something different but for me is just fine.
in reply to contradogma

@contradogma it's mostly things being in weird places, easy to get lost... if you're even a little bit of a tinkerer it's no big, but for the casual computer user it gets really frustrating really fast.

ie. try and find where to go to change your profile picture.


in reply to coachtimseo

@coachtimseo this should go in your profile rather than a post, and a reminder to make sure to put #ad on your posts if you want to advertise



You do not follow this user and this post is marked as followers only.
in reply to zaki

@zaki fedilab may not support privacy marking in friendica?
@zaki






Test from Friendica to:

Mastodon
Friendica
Hubzilla
Lemmy
Kbin
Pixelfed
Gotosocial
Iceshrimp
FunkWhale
Peertube

Unknown parent

Plastic Frog

@Plastic Paragraph

> test commenting from Friendica



hi, just seeing what Friendica is like as I know not much about it






đŸ”„đŸ‘ Helldivers 2: A Thrilling and Challenging Gaming Experience đŸ”„đŸ‘


đŸ”„đŸ‘ Helldivers 2: A Thrilling and Challenging Gaming Experience đŸ”„đŸ‘
https://pixel--playground.blogspot.com/2024/03/helldivers-2-thrilling-and-challenging.html


A Thrilling Adventure in a Breathtaking World - My Review of Horizon Forbidden West Complete Edition 🌄đŸČđŸ”„đŸ‘


A Thrilling Adventure in a Breathtaking World - My Review of Horizon Forbidden West Complete Edition 🌄đŸČđŸ”„đŸ‘
https://pixel--playground.blogspot.com/2024/03/a-thrilling-adventure-in-breathtaking.html


Kosmetyki trychologiczne w GƂogowie


UdaƂo się w koƄcu zobaczyć jak moĆŒe wyglądać tekst napisany swobodnie o kosmetykach trychologicznych przez sztuczną inteligencję - na raze to narzędzie wcale nie jest tak dobre - nadal czƂowiek a raczej jego mĂłzg jest niezastąpionym narzędziem do wymyƛlania tekstĂłw, pisania ksiÄ…ĆŒek i artykuƂów.



Introduction


New here, i'm a nerd and in freetime programmer! Italian, living in Ireland

I like to do a lot of stuff, and i'm interested in: #programming #osdev #music #art #bookbinding #sewing etc.

I like crafting things basically. And writing OS (and about Osdev in general).
Also have an interest into arts, and so far i made a small bunch of paintings (i'm a newbie so don't expect high level art), i will maybe post the photos here in the future.

So far that's all, my nick in the fediverse, and outside is most of the time dreamos82.

PatsyBaloney reshared this.



About me!


I'm a Linux/Cloud Engineer! Married with two kids.


silly little thing


Hey! I really wanna make friends. my discord is Buhbubbles
!!!!!!! I am a she/her cis female
UHHH I am good at talking, and yea we can do art trades if wanted!! imma pretty talkative person (mentioned two times but I promise I will chat and keep company)
but yeayea thanks


Ranting about capitalism


Another reason to hate capitalism. It's considered smart for someone to buy cheap products then resell them for a higher price. They don't add anything extra, literally just reselling the same thing because they can, and it makes a profit. Personally I hate this kind of behavior, but It's a major part of capitalism. So many companies do this and it's frustrating as a consumer. This particular person got caught and is being prosecuted because they lied about the quality of their products and sold them to the military and police. They claimed it was made in the US and passed all safety standards, when in fact it was just cheap gear from China that doesn't comply with any safety regulations. So of course they get in trouble, but the thousands of other companies that do the exact same shit get away with it because they aren't selling safety gear to important people.

https://www.oregonlive.com/crime/2024/03/uncertified-ballistic-gear-sold-to-more-than-100-police-fire-military-agencies-across-us.html?utm_campaign=theoregonian_sf&utm_medium=social&utm_source=facebook

Shiri Bailem reshared this.



First post


New to the fediverse, trying out friendica and foggyminds seemed like a good place to start. I also created a Mastodon and pixelfed account. Will see which one I prefer after using them for a bit.
in reply to Rainbow Jax

@Rainbow Jax Welcome to the server!

Pardon the dust, I'm currently going through a move so shutting down spare servers and migrating the server to a temporary remote server until I can get settled again. In a few days things should pick back up as the transition is complete. So please keep that in mind when getting an impression of Friendica and of my server ❀ (I'm also going to upgrade to the latest version of Friendica that just came out as part of it)

And yeah, definitely different niches to different platforms. Mastodon and Friendica have a fair amount of overlap since they mostly focus on the same content, just one has a word limit and more UI designers.

Pixelfed I haven't actually looked at, but if I understand it correctly it's a very different user experience, so it's a good compliment to either Mastodon or Friendica.



Wishmasta - Girl on the Beach


New track called "Girl on the Beach" just released! You can check the information on my website
⇧