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Eugen Felix


Eugen Felix, aussi connu sous le nom de Karl Eugene Felix, est né le 27 avril 1836 ou 1837 à Proßnitz (Moravie) sous le nom de Veith Ehrenstamm et est mort le 21 août 1906 à Vienne, était un peintre autrichien. Il portait le nom de son grand-père, le fabricant Veith Ehrenstamm, décédé en 1827 à Proßnitz.

Eugen Felix a été l'élève de Ferdinand Georg Waldmüller vers 1852 et de Carl Rahl avant 1859. Vers 1859, il poursuivit sa formation artistique à Paris dans l'atelier de Léon Cogniet. En 1865, Felix retourna à Vienne après avoir effectué un grand voyage à travers l'Europe. À partir de 1866, il y participe régulièrement à des expositions d'art. Plus tard, il devint membre de la Wiener Künstlerhaus-Genossenschaft, dont il fut le président en 1874-1876, 1888-1890 et 1896-1898. Il a également exercé temporairement la fonction de bibliothécaire de la Maison des artistes de Vienne.

Au début, il se concentrait sur la peinture religieuse et le tableau de genre. Parmi ses œuvres de l'époque, on peut citer Le premier ami au Belvédère de Vienne, L'atelier du peintre, Les petits félicitants, Le fauconnier (Der Falkner). Plus tard, il se tourne vers la peinture mythologique (Les Bacchantes) et le portrait, qu'il cultive avec un bonheur particulier auprès de l'aristocratie et de la haute finance, aidé par un coloris plaisant et un modelé élégant.




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It hurt... it hurt so much and like so much trauma it's not that obvious until the trauma is past...
I was isolated, not only from other people, but from my own emotions... I wanted so badly to cry but I couldn't, all I could do was bottle it up (not toxic masculinity, literally an effect of testosterone)...
I looked at myself and pretty much didn't see myself... I had no self-image then and now I have one forming.
Before even my transition I figured out I'm grey-ace, now that I have a girlfriend I've really established that I'm grey-ace, emphasis on the grey... 😳
So it's really nothing sexual for me... there's the opposite of gratification there (without details... certain things don't work right anymore...). What it is is feeling at home in my skin, looking at myself in the mirror and finding things I like... sure I get dysphoria and there are plenty of things I don't like about my body... but there's for once in my life alot of things I do like.
And on top of it all... my personality and interactions with the world feel so less discordant... so many of my behaviors were early hints of being a woman... I may never have kids, but it's clear I've had "mother" energy for a looooong time.
... I could keep going but I got a day job to do...

Source of Image

#lgbt #transfemme #lgbtqia #lgbtq #transition

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We lookdown on veils as they are

f̺̰̗̘̥̥̊́ͤ̀̈́̇̌͐̍͑a̛̓l̸̡̨͚̭͈̼̰̫̪͈̻͛̎͗ͫͮ̋͐͘ŝ̸͈̯̤̞͍́̀ͯ̌ͥ̐̽͞e h̡̛͓̣̦̗̥͙̬̹͇̒̆ͨ̽ͯ͒͋̏̀ͧ͌ͣ̀͟͡ò̷̷̱͔̀̽̔͆ͦ͌̆ͬ̍̕͘o̧̨̫̜̹͚̜̞̥̦͔̩̻̘ͥ̓ͮ̏̀̓ͩ͒͂ͣ̄͆͑͘͠d͙̺̱̗̻͉̮̎ͤͩ͒̂ͬ͞s ǫ͕͙̦̩̮͇͔̉̓ͪ̊͌ͭ̔ͬͦ́̈̈̚͝ḟ̠ͤ ŗ̶̧̢̣̫̫̱̗̤̘̖͍̇͗̐̉ͬͯͣͫ̇ͩͨ̏̓̋̓̍̃ͭ̂ͧ͘̕͟ea̪͇̕ḻ̴̴̢̧͖͎ͬ̏ͧ͐̃̆i̛̺̎_̘̘̾̂̆̀͢͢͢͞ͅt̵̷̛̮̋ͩͥ̍ͦ̏́ͬ̈́̿̿͘y̖

But the veil offers one things the interlopers will never provide. Ṕ̵͈̞͕̫̀ͯ̋ͤͪ̀̉̃ͦ͢͡͞ṙo̒_̸̨̛̳̟̟̯̟͂̅̊̔͊ͯ̑͌̌̌͝ͅtę̦̱̠̹͛͗ͫͫ̂̕͠cti̛͎͚̟̫̱͕̥̠̐ͣͦ̈́͊͗ô̘̯̈́ͨ̂ͬ̌̿̌̎͝n͕̮͙̺ͦ̄.



Exposures of ᵖʳᵒᵖʳᶦᵉᵗᵃʳʸ ᵐᵉᶜʰᵃⁿᶦˢᵐˢ manipulate the psychophysiological appartatus of consenus, exposure feeds and develop the interlopers

c̗ő̡̫̲̇̑ͣ̐̅͊̓̈́̏͗̇͢m̷̧̛̺̠͎̖͚̫͊̈̄ͩ͑̃͒̄̑͒̇ͥ̓ͧͭ͘͘p͉̙͔͈̜̾̉̉͊͐ͫ̈́̌͡l̎e̓̇̎x̢̱̹͍̤̥͍͚͕̞̾̅̀̈́s̹̱̣͙͎͕̳͋͆̂ͩ̓̈́͗_͉̱̟͌͜s̴̴̛̙̣̽̄ͣ

which undermine the process of assimilation.

The interloper are indeed a part of creation, but do not serve the assimilation of l҉i҉g҉h҉t҉



It is dangerous to be unveild by a false idols whether human or a

l̷̷̵̡̗͔̫͙̱̖̣̖̣̓̒ͦ̉̆̃ͫ͋͒͒̔̆ͬͨ̅ͬ̋͒̿͒̂͌̕͡͝͠ͅę̴̰̯̟̯̻̭͓͂͗̐ͧ̏̚͜͠ͅş̷̷̸̡̧̬͍̼̞̜̥̱̠̟̦̳͇̭̖̲̞̄ͧͩ̈ͩ̉́̅̂̄ͧ̀ͥ͆̈́́͊̊s̵̨̡̨̧͎͈̟͈̻̤̜͈̠̺̜̜̫̠̾̑̓̏͐̈̔̃̂̑̿̆̚̕͝ͅḛ̴̡̢͇̱̼̲͈̬̼̮̲͊̅̍̾̈ͦͤͦ̎͒ͬ̔̀͒ͤ̽͘̕͜͝ṙ̴͚͚̝͙̦̐ͣ̎ b̧̜̠̠̻̖̯̩̊̌̽ͯ͛̚͘e̵̷̡̯̰͈̹͕̱͕̼͉͕̿̅ͦ̍ͨ̎̂̅͛ͯͬ̋̃̀̒̓ͩ̇̚̚͜͡͡͡͞͝͞ͅͅi̷͈̦̠̪̩̤̗̣͖̥͔͇̍̔͊ͣ̅ͧ̉̍ͦ́̃̀̎̌̽̋̕ͅń̴̡̢̰̖̥͇̖͙̪͎̥̠̭̰̜͙̥̭̭̯́̌̌͌̒̎ͤ̈́ͯ̐̓̿ͥͦ͗͟͢͟͞͠ͅg̛̹͆͌̇_̸̲̼̬̪̩̹̞̪̫̙̠̝͍̌ͫ̃͗ͤͧ̚͢͝