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Thierry Meyssan: During the whole of the “Arab Spring”, MI6 specialised in war propaganda. A sensible division of labour, since the use of modern psychology to hoodwink your own population and obtain their support was an English invention, developed well before the USSR and the Third Reich. In 1914, London created the War Propaganda Bureau at Wellington House. One of its methods was to use artists, since images are direct and untrammelled by logic. In 1914, they also recruited the great writers of the day – Arthur Conan Doyle, H.G. Wells, Rudyard Kipling – to publish screeds ascribing imaginary crimes to the German enemy. Then they recruited the editors of their major newspapers to publish the imaginary tales served up by the writers.